2018-2019 Textile Art of Today
Jiseon Yoon has been selected as one of artists participated in 2018-2019 Textile Art of Today, the Triennial which presents the contemporary world textile art.
The exhibition takes place at Danubiana Museum in Bratislava, Slovak Republic through November 11th, 2018. After that the exhibition will move to Czech, Hungary and Poland till the end of 2019.
2015-11-09 [Musee magazine] RAG FACE AT YOSSI MILO GALLERY
Yossi Milo Gallery presented Rag Face, an exhibition of sewn photographs by Korean artist Yoon Ji Seon. The exhibition opened Friday, October 23 and will be on view through Saturday, December 5, 2015. This is the artist’s first solo exhibition in the United States.Featured in Yoon’s inaugural exhibition at the Gallery will be pieces from her ongoing series, Rag Face, made by intricately stitching photographs with a sewing machine. The artist begins each work by photographing herself making an exaggerated facial expression. She then sews over the resulting print in multiple layers of colorful thread, building texture and tonal effects like a painter. Leaving only the eyes of the portrait peeking through the stitches, Yoon obscures and distorts her features, as would a traditional Korean or African mask, and allows bundles of thread to hang from the surface of the piece which are suggestive of hair, viscera or sound. These elements transform the works into three-dimensional objects that blur distinctions between photography, sculpture, painting and craftwork, intertwining, in Yoon’s words, the “digital mode taken by photography” and the “analogue emotion felt from sewing”.
2015-11-03 [Photograph Magazine] About the cover - Yoon Ji Seon: Rag face
Photography is as leveling as a baseball bat in a room full of fine china. A globalized technology almost from birth, wherever it appeared it rearranged the cultural furniture, flattening native traditions of representation and following the same trajectory of development : from early experiments to pictorialist atmosphere to sharp-edged modernism and, as transmission expanded, to a transactional currency driven by social media. Yet local influences interrupt the diffusion, resist the tide of sameness with distinctive practices linked to indigenous traditions.